| Women in Agriculture |
Tape #509 - Lideres Campesinas Theatrical Play
And start breaking the stereotypes people have about latinas and farm
worker women. We 're not the type
exactly and our reality is that we don't necessarily with our bear feet and
have children and that our children are just in gangs, and things like
that. That's not necessarily our truth,
and we want to change that. Every time
we present the model, we present models of and we talk to you about and we
share the skits. We present the
barriers, the problems, the need that farm worker women face like farm worker
or farm women face in their community also.
There's a lot of discrimination, sexual discrimination, there's a lot of
racism, there's a lot of classism, and there's a lot of isn’t that go within
our community and we are breaking a lot of that. We're taking with our people about our culture, we talking with
our people about breaking those barriers in terms of what harms within our
culture and why it's important that we see our culture is valuable, by the same
time, whatever is that's negative, turn it into a positive. So, the farm worker women that participate
are from 12 different communities, we have more than 250 farm worker women
leaders from our communities that represent many, many years back of
activism. Leaders de Composers did not
necessarily convince them to be active in the communities, they were already
active, they're key women, they are organizers in their communities and what
they do is they have formed local networks and from there, we formed a
statewide network. Leaders de Campesura
is a state wide organization of 501 C3 now, and when the international conference
in 1995 happened, 4 of us went and presented at 8 different panels, that's
thanking many, many or our sponsors, like OxVam, RBL Ed, who put together the
delegation, the Farm Workers Justice Fund, everybody has believed in t farm
worker women and the importance of development. And providing the guidance that's needed and providing the
support and encouragement for us to do something in our community. Thank you.
Thank you very much. Now, what
we're going to do is present Vihinia Ortega.
Vihinia Ortega is one of our founders.
She a farm worker woman, she's been in this country since 1966 and she's
been involved in her communities since 1966.
Actually, Vihinia know each other and I know each other for 23 years
now? And Vihinia, I remember her as one
of my models. If you don't see the
difference, she's a little bit older than I.
but she's very mature in terms of everything, in terms of giving all the
appointments that women need to receive, and the encouragement. This is one that has helped us develop the
different programs. Throughout the 5
years that we have existed, we have been able to organize, as I said, 12
communities around the state. It has
not been easy. Whoever has the
experience of organizing women to form groups, you know it's not easy because
we have not been educated to work together.
We have not been raised with the idea of helping each other as
women. We have been raised with the
mentality of serving men, and we all know that. And we're breaking a lot of those barriers. We want to work with men, not for men, and
that's very, very important for every single one of us because that helps in
terms of the development. And several
or our programs that we have developed is 1) is domestic violence, the sexual
assault, the pesticides, the field sanitation, breast cancer, HIV aids, sexual
harassment and in the skit and while you're watching the skit and listening to
some of the women talk, they're gonna talk about all these issues. The women have been able to present this
skit at every single neighborhood conference that they organize, and the
conferences are like 3 or 4 hours in the afternoon, then we have dinner and
that's we attract people when we have dinner, they bring their family,
everybody's there and we're able to, and the majority of the people that are
there are women, and they are able to talk about their issues because they
identify with what we present, that's how we open dialogue. We don't talk domestic violence is this,
domestic violence is that, we present the skit and the women start talking and
from there on, we're able to open the dialogue. So, Vihinia Ortega is now and one of our goals has been for
Liberes Composers is to start hiring farm worker women to be the ones to take
over the organization, even though I started working in the fields when since I
was 8 years old, I did not have any high school, I did not because I was one of
the oldest of 10 children, I was able with the support of the women, to go
through college, with the support of a dear Lord, to go to and to have gotten
my BA with honors. Very happy too and I
like to always share this in terms of.
And Vihinia gonna be our next person that will start doing this. She is now our state wide coordinator for
the domestic violence program. She
helped us develop that program and she will sharing with you culture, barriers
and after that, she will be part of the skit.
Thank you.
Como esta? How are you? It is an honor to be here. This morning I'd like to share with you what
is part of our lives. When you see a
farm worker, female farm worker or you see a very nice and appetizing salad at
your table, there's a story behind it.
We're going to share with you that story, that reality. We have barriers. We call obstacles barriers or walls. Barriers that prevent us from fulfilling ourselves as women. In our countries, we are the people who have
the least power here in this country where women have more freedom. We still are the least empowered. We are referring to our culture in the
past. In Latin America, we were
fighters. People who used to fight for
our people, the midwives and the medicine women were very wise, but men have
always felt threatened because they feel that women will control them. So, they started putting us in a place where
we would supply them with sex, with children and we would serve them as good
cooks, and to rear their children.
Culturally, it is very important for men to be the masters at home
without any arguments about it. We, in
our culture, have to teach girls to respect their older brothers, their father,
their grandfather or godfather, male figure anyway and go to Church. We are encouraged by our families to be that
person who respects authority and who never wants to be on the same level as
men. Religion itself teaches you no
matter what you're married for life and you belong to that family and you
belong to that culture and you belong to your faith. You have to be a good Christian.
You have to sacrifice. The other
component is something that is very unique to our culture and that is taboos. And that is the lack of communication when it
comes to sexual issues. We do not talk
to our children, we do not talk to our daughters about sex and we do not even
utter the names of sexual organs. It is
very unusual to discuss sex with your children, be it daughters or sons. Millia's just reminding me that when she was
a child, her mother did not allow her to remove her panties and her bras when
she was going to take a shower, because it was very indecent to do so. You never tell your daughter what is going
to happen in a sexual relationship.
This is a taboo, it's a shameful thing.
You have to preserve the innocence of a child, because the more she is
innocent, the more she is valuable to a man.
When a woman loses her virginity because of an accident, because she was
raped, she might be 5, this girl will be treated differently from other
girls. Why, because she's no longer a
virgin. She will no longer be allowed
to play with other girls. The parents
of the other girls will think that this dirty child will teach secrets to their
daughters. When a girl gets married,
parents expect the daughter to marry in white and if the woman, the girl, gets
pregnant, it's her problem. She chose
that. The other problem is economic
dependency. Almost always, it is the
father, the male, who runs the economic aspect of a household. He takes the money, he collects checks and
so on. Women, when they faced with
domestic violence, they have no where to go.
Why, because they are economically dependent on their husbands. If she is documented, or does not have any
legal papers, it's even worse. She has
no way out. Women given their culture
are not free to leave their homes without their husbands. Women cannot dream to learn English as a
second language, therefore, they will not learn English easily. When they want to ask for help, who's going
to give them help. There's a social
worker doing outreach work looking for victims. I don't know any, any social worker doing this. However, that is why leaders are going to the
grassroots, were going home by home to talk to the women about all of
this. The other component are
barriers. We do not know the law in the
United States. In Latin America, if a
wife leave a household, then she is guilty of abandonment. Why?
Because she's guilty, she's guilty for abandoning the household and she
loses everything. But women do not know
that they have a different option, that they have the option of leaving the
household. We teach them that
abandonment does not exist in the United States, it exists in other countries
but not here. Here, we are free from
that. Immigration status, maybe she's
an undocumented person, it's an even worse barrier because it will condition
whether she will get her papers or not.
She has no rights. The other
barrier is our sister resources.
Why? Because service providers
don't do any outreach. If they don't,
women are not going to call the police.
Psychologists say that she has to face 7 beatings minimum to dial the
police phone number. So these are the
barriers we have and I hope that you will all be able to spot them in our
sketch. Thank you very much, we'll
being with a sketch now.
This is a drawing that Vihinia Ortega put together for us and every
time the dry back here for our logo was also done by her. We have informal professionals within
Liberes Compesuras. The majority of the
women had no formal education like myself.
I basically am one of two staff members that have had the opportunity to
go to higher education. The women after
the first year, Liberes Composers have gone back to school, they're going to
ESL classes. Some are taking college
classes because they are learning that they can make a difference, knowing both
languages aside from doing their involvement activism in their community. So, right now, we're gonna start and to have
it all together, I'm going to read the introduction and this is basically how
it's going to go.
This is the true drama of our daily lives of that of farming women in
the states of California, Texas, Arizona, Oregon, Washington state, and
throughout the USA, where we are struggling for daily survival, struggling
together with men and our families, struggling for a more dignified life and
dreaming for the sake of our children who will have a tomorrow that will be
better than our today. Thanks to the
creativity and the true valor of many, this history has come up which is our
own history and by presenting it, we wish to bring awareness among the public
about the barriers which exist on the cultural family and social anticircle
level. which prevent farm working women from developing fully. Hoping that there will be a new dawn where
these barriers will be eliminated for the betterment of the Composers
women. We have presented this sketch
then for your benefit and its name is Doing Away with Barriers. The first part is an idea which was created
by one of our colleagues, Espiranza Ortello.
This play was then corrected and modified by Vihinia Ortega further and
by the ideas and suggestions made by several of our colleagues in Liberes
Composers. The characters in the first
act, it is early morning in the countryside and the character is a person who
is victimized by violence at home as well as other of her colleagues are being
victimized also at work.
[This is the text of
the skit]
Oh, my God. I'm so happy I got
here on time to the field, otherwise my boss will fire me and this husband of
mine doesn't help me at all with lunch, nor with the babysitting. Oh, my God.
I'm suffering so much. I work,
day and night, where's the money?
Where's the money?
Good morning, Maria, good morning.
How are you?
Fine.
Are you sure? Well, why didn't
you come to work yesterday?
Because I wasn't able to. I
took my children to the doctor.
Well, we missed you. We waited for you. Don't start work, yet, Maria.
Let's chat for a bit.
Well, we're going to work.
There's, the boss is here.
Work. To work, everybody to
work. Where are the other women, aren't
they here yet? They always get in
late. Good morning. Good morning, get to work, come on. Good morning, women, how are you, we're
going to start working.
How are you, Olga?
How are you feeling today?
Too much talking, too much talking.
I hope that you will get to work because you always do your work wrong.
Good morning, darling, how are you?
Hello, cutie. You're always so
pretty.
Please, don't bother me. I'm
fine.
Oh, you're really tight. I was
going to invite you to a movie but you're so tight, that I will not take you.
Very well, that piece of work is very well done.
Don't be so stubborn.
Where's the water, where's the water.
Ah, my helper will bring the water in a few minutes.
Will it be cold?
What did you say?
We're very thirsty, we want the water now.
You're only getting to work and you already want some water.
It's very hot.
Wouldn't you like some air conditioning too.
But the water this week has been warm, there's never ice, it's very
warm. We can't even drink it. And there's one cup for everybody.
But this is not your home where you have plenty of glasses in the
kitchen. What do you think it is?
It's not good, it's not hygienic.
We have...
Too much talking, come on, get to work. Forget it.
Where are the restrooms?
I don't know, but ask the boss.
He's right here.
Boss, boss, where are the restrooms?
What do you want?
I want to go to the bathroom, I need to go.
You've been here for 15 minutes and you already want to go to the
bathroom? Didn't you go at home?
I need to go right away, I need to go.
My helper is going to bring some container in a few minutes.
But, there the same 2 weeks ago and the week before, it stinks, you
haven't cleaned them
You want new latrines or want do you want?
But at least you should clean them.
No, these hags, they're nagging me all the time. They don't do good work but they want plenty
of stuff. You're just nagging me all
the time. This is why I want to bring
more people from Mexico who will come to work and who will really want to do
the work. They've been here so long
that they no longer want to work.
You know, that I feel bad this morning. I have a headache I feel dizzy.
Didn't you see that sign at the entrance, it said something about
pesticides. Maybe pesticides are
affecting you.
Hey, you. If you don't know,
shut up. Keep quiet, you know nothing
about that, stop gossiping.
Boss, boss, boss.
What' wrong with you?
I feel awful since this morning when I started work I've had a
headache.
So what did you take?
Nothing. Nothing, I don't drink
anything anymore.
You don't drink. Why do you
feel bad? Only when people drink, feel
bad.
I don't know. As soon as we got
to the field, I got a headache and I feel awful.
Perhaps, you're pregnant?
No, no, I'm fine, I'm not pregnant.
But I saw a sign when we got to the field and it said something about
pesticides
Yes, your friend there, on the other side of the furrow, is always
causing things. But, she was here ever
since last year.
I feel awful, I feel very, very poorly. I truly, I have a bad headache.
Maybe you should go home. Maybe
you drank last night.
No, I did not. I feel awful.
What's wrong with you?
Take care of her, please.
I think this woman must be pregnant or something, and they drink, and
they come with a hangover.
Do you feel bad?
Please, boss, take care of her, give her some attention.
Come on, continue to work, I'll take care of you. Come on, what's wrong, I can help you, are
you feeling bad? I think that you were
drinking last night, that must have been.
No, I did not, I did, no. I
didn't drink last night. I feel bad.
I'm sure you had something to drink, for sure.
Come on, it's time. Go, go
away, that's all for the time being.
You can go away.
I'll call you tonight, that's all for the day.
[end of first part of sit]
If we had curtains, you wouldn't be seeing us.
The second act will be where Maria, which is, we call her in our
community, the solfrita, which is, the suffering woman. She comes home, she has her child who is
ill, her baby who is ill. After coming
back from work, she has taken her child to the clinic and found that she did
not have enough money to buy medicine.
She disposes herself to go away to prepare a sena at home with her
child.
[continuation
of skit]
Oh, my God. Ah, I am in a hurry.
I'm going to start cooking.
Theogornio is coming and he will hit me again and with a kid in my arms,
I'm not able to cook.
Hurry, hurry!
My child doesn't let me cook.
Let your books on the table and hurry up.
I have to study.
Didn't your father say that you shouldn't go to school anymore? Drop your books and take care of the
child. Your father is coming quickly.
Oh, my. What am I going to
cook? I don't have any food, I didn't
go to the grocery stare to buy food.
What I am going to cook? Maybe I
have some beans, otherwise, the jerk is going to get here, and the jerk, he
really abuses us.
Oh, Mom. Oh, come on, come on
in.
Good morning, Mom. Fine,
Mom.
I'm fine, how are the children?
How are you? How are you,
sweety? Oh, I'm happy, I'm glad. Let me have the baby, I haven't picked him
up in a while. Oh, my daughter, what's
wrong with you, you seem sad?
No, I'm not sad.
Are you sure?
Yeh.
What happened to your eye?
Nothing, nothing. I was
cleaning in the kitchen and I slipped and fell. But, it's nothing, Mom.
Don't worry.
Are you sure, my daughter?
Yes, Mom, I'm sure.
Listen, daughter. You think you
can lie to me but something is happening here.
No, Mom, thank you, nothing, nothing.
Nothing in my eye, there's nothing in my eye.
Are you still having problems with your husband?
No, he loves me very much. He
treats me very well.
You cannot fool me, daughter.
Something is happening here.
No, Mom, really, no.
Listen, daughter. If this
happens, well, we have to let's see, you have to face it. You have that cross to bear. We're married for life. First of all, I want to give you a piece of
advice and that is that you have to teach your daughters to be good wives once
they get married. That's there
obligation.
Oh, Mom. Thanks.
Hear, daughter. I tell you, if
something should happen. Well, you have
to face life, what else are you going to do, what else are you going to do, my
daughter. You don't have any
papers. What are you going to do with
your children, with my grandchildren.
In this country, you don't have any papers, where would you go? A woman, when she's alone, is
worthless. You have to put up with it. Forgive your husband.
Thank you, Mom. Thank you.
Come on in, come on in.
Good afternoon.
Good afternoon, my friend, how are you? Fine, my friend.
How are the children?
I'm leaving, my daughter, 'cause you have a visitor. I'll be back later.
Thank you, Mom. I'll come back
later, ok?
Take care of the children, and they'll come back again.
Thank you, Mom.
And you have to beg your husband, don't forget. That's your cross to bear.
Good afternoon, how are you?
Are you alright? Yeh? And how's the baby, how's the baby?
Oh, good morning. How are
you? How is he? And you, my friend, how are you?
Are you sure you're alright?
Don't lie to me.
No, no, I'm not lying, I'm ok.
No, I can see you, you're not well, I've noticed, you're not well.
Is he hitting you still?
No, he loves me very much, my friend.
No, my friend, you don't have to lie to me. We're almost relatives. I
will be your baby's godmother.
But I'm ok. I told you, I'm
very happy with my husband.
Are you sure?
Yes, I'm sure.
I have come to invite you to a female farm workers meeting.
No, I'm very afraid of attending.
I've invited you many times.
Come on, let's go this time. Com
on, put something on and leave the children with your daughter and come with
me.
No, another day.
No, come with me, you will not be sorry. It's gonna help you and your children.
Maybe some other time.
No, this time. Come on, get
ready. Get your children ready and
let's go.
You know what? We should go.
Ok, well, we can go.
No, don't be afraid. Let's
go. Let's see what the women have to
say. Otherwise, they'll be mad at
me. Are you ready, let's go before it's
too late. Come on, and I'll bring you back home later.
Heh, old hag. Old hag, where
are you? I'm here, old hag. Where is this old hag of mine? Huh, what is it. Who's going to serve my meal?
What does this women believe she is?
Where did she go? Oh, I hate it,
what's going to happen with me now?
This filthy, lazy, street walking woman. She thinks that she governs herself. She asks no permission from me.
Ah, here comes the bitch, I wanta teach her who is in command in this
house so that she doesn't think too much of herself.
Are you hungry?
What do you think? The food is
ready, old man. Sit down.
And where were you? Who gave
you permission to walk out? Where were
you? What do you think, that you
control yourself?
I went to a friend's, I went with a friend...
How do I know that you were not doing something wrong, and who's that
friend of yours? Crazy woman who is
imbuing ideas in your mind.
No, she's a worker colleague.
Ah, don't kid me. What are you
looking at me for?
Hold your brother. Sit down
over there with the baby.
Come on, tell me, where were you?
What do you think you are?
Because you live here in the U.S., I'm going to be on the side as a
wimp?
No, that is not the case. I
didn't do anything wrong.
You'd better not do anything wrong.
Sit here and listen to me. You
are nothing here. I'm going to call the
INS if you continue doing this and I'm gonna take away the kids.
No, please don't.
That's enough, enough of this.
I continue to be the master in this house. No woman is going to move me around. No one controls me, I'm a man and your father must have told you
this, and he said it to you when we married as well as the priest. Don't forget it ever.
No, no. I will never do this
again. Oh, my God. He's always treating me like this.
Hello, my friend. Come in, come
in, sit down, join me. I love when my
friends come visit. Yes, that's what neighbors are for, to visit your
other neighbors. So, how have you been?
Fine, just fine. The reason why
I've come to see you.
The reason why I've come to see...
What's wrong?
I've heard that you are having some problems with your wife?
What? What do you mean
problems, who told you that?
Well, you know, I live across the street, and I've been witnessing
it.
Don't you think that you're going into my own business?
No, but this is what my friends used to tell me and I've had a very
serious problem.
I'm going to break your face.
No, please, don't be altered, I like you, you're my neighbor. The thing is that the law is very harsh here
in the United States.
Isn't it that you like my wife perhaps?
No, please. We are very good
friends, please, don't think of that.
Nobody knows what's happening.
Here there are no friends. It is
a crime to beat your wife. I was doing
that and they put me in jail for 3 years.
Oh, my knees are knocking.
I told you this because I like you as a neighbor.
I'm fed up, I've been hearing this for a long time. Go back home and don't get into my
business. Don't be an intruder.
As neighbors, we must take care of one another, remember.
Go on, go to take care, to mind your own business.
Ok, my apologies, I don't want you to be offended by this. I'll go.
Yes, I'm not going to change so that my father will laugh at me and my
compadre will laugh at me and all my colleagues at work, so that they all think
that my wife is in control. No way, I'm
still the king. I'm in control. These are the laws in this country. I love that. Nobody is going to tell me how to control my family, and that
woman of mine, that sloppy one, I know how to control her and how to manage
her. I'll be back in a few minutes.
Sit down, daughter. Take your
baby brother. I'm going to start dinner
because my husband will come back and hit us otherwise.
Old hag, old hag, my dear woman.
I think that I made a mistake. I
think that I did something wrong to you, this is why I brought you these
flowers for you to forgive me. Do you
forgive me, dear one?
No, I will not forgive you because you always mistreat me.
Come one, forgive me. I will
never again do this. I swear to you by
the virgin. Give me another
opportunity.
Ok, I'll forgive you this time.
This is the first time, so I forgive you.
I know that you are my faithful wife, I know how you are. Sit down here, let us talk. Dear, you know that I love you very
much. I don't know what I would do
without you.
Yes, I know and I forgive you, but you know what? I saw on tv a program about condoms and they
were saying that condoms protect people.
What did you say?
You know, those rubbers, condoms.
I don't know what they're called but, anyway, I saw an advertisement
saying that they protect people.
What people are you talking about exactly? Are you trying to fight me?
What do you think you are?
To protect ourselves.
What from, do you want this to protect us from?
Well, the acid, I don't know anything about that.
Who told you that? Who are you
mingling with? Those nasty things only
whores know about. Who told you that?
What kind of friend do you have?
I saw this advertisement on tv.
You watched it on tv, my ass.
You're going to start having problems.
Oh, Mom, you always put up with Dad.
You know what, go to sleep, you outspoken girl. Go with your little brother, that's what you
ought to do, take care of him.
Intruder, you're always giving ill advice to your mother. And you sit down here. I don't want you to speak again about those
condoms and those nasty things. I am
the one as a man who knows things. You
know nothing. Only women walking the
streets do that.
Ok, whatever you say. And I'm
sorry, I'm sorry for what I said.
Stop, this is the law. Stop
this or I shoot, what happened, why are you hitting this woman? What happened woman?
It's your fault.
Please, don't take him, don't take him, don't take him away, please.
I have to. I have to take him
under arrest.
It is your fault.
Please, don't take him.